(Photo by © Columbia Pictures / courtesy Everett Collection)
We’re giving love to New York City, baby: the Big Apple, the Greatest City on Earth, the Concrete Jungle Where Dreams Are Made (Oh), and the inspiration for some of the best movies ever made – period. Godfather? Check. Goodfellas? Check. Do the Right Thing? Check. You get the picture.
It’s little wonder that the five boroughs have played background – and often lead – in so many movies. New York is a place overflowing with stories, no matter where you swipe your Metro card. It is, at the southern end of Manhattan, the center of the financial world, where greed has made for great cinema; a short subway ride from that, you’re in the center of global fashion, where the Miranda Priestlys of the world wield their power for high drama and big laughs; zip further north still and you hit the Great White Way, where so many dreams have played out on our screens, from All About Eve to Birdman.
Away from its commercial centers, the city heaves with inspiring communities full of complex and arresting characters, from lovers in Harlem (If Beale Street Could Talk) to bitter divorcees in Park Slope (The Squid and the Whale), from aimless twentysomethings trying to find their way on the other end of the ferry (The King of Staten Island) to tight-knit families in Brooklyn Heights (Moonstruck). It’s also a city known as a place for visitors to wander, wide-eyed, and you’ll meet many fish out of water here, too, from Crocodile Dundee to Giselle, the hapless princess of Disney’s Enchanted.
This collection of the best New York movies includes comedies and dramas, horror flicks and monster movies – hello, Mr. Kong – documentaries and character studies, and plenty of musicals, including new-on-the-block In the Heights, which offers a stunning tour of northern Manhattan’s Washington Heights community and a sharp look at how gentrification is changing it. The guide also includes one or two movies where New York isn’t technically New York (Superman), but in which the essence of the city shines through.
You won’t find movies like Home Alone 2: Lost In New York, Center Stage, or Newsies because – as much as we love them – they didn’t make the cut when paired against our criteria. To make this guide, we gathered an extensive list of movies set in and about New York, and then ranked them by their adjusted Tomatometer, a formula that takes into account their Tomatometer scores but also number of reviews, year of release, and more, to make comparing movies from different eras fairer. (We made an arbitrary rule that each Spider-Man franchise could only have one entry, the film from the series with the highest Tomatometer score; and yes, we know that Rumble in the Bronx was shot in Canada, but still…) The top 212 made the cut, a number chosen because it was the first area code assigned to NYC by AT&T back in 1947.
With all that said, it’s time to explore the five boroughs with our guide to the 212 best New York Movies ever made. Got a favorite? Disagree with the Tomatometer’s ranking? Let us know in the comments.
Jump to: 212-151 | 150-101 | 100-51 | 50-1
#212
Adjusted Score: 47.558%
Critics Consensus: An ambitious mix of genres, Vanilla Sky collapses into an incoherent jumble. Cruise's performance lacks depth, and it's hard to feel sympathy for his narcissistic character.
#211
Adjusted Score: 49.239%
Critics Consensus: Kids isn't afraid to test viewers' limits, but the point of its nearly non-stop provocation is likely to be lost in all the repellent characters and unpleasant imagery.
#210
Adjusted Score: 50.029%
Critics Consensus: Scatter My Ashes At Bergdorf's is a fun documentary which ultimately doubles as an infomercial for the Manhattan store.
#209
Adjusted Score: 50.406%
Critics Consensus: No consensus yet.
#208
Adjusted Score: 51.254%
Critics Consensus: No consensus yet.
#207
Adjusted Score: 51.757%
Critics Consensus: Fans of the stage musical may forgive Rent its flaws, but weak direction, inescapable staginess and an irritating faux-boho pretension prevent the film from connecting on screen.
#206
Adjusted Score: 55.223%
Critics Consensus: Spike Lee offers intense visuals but his storytelling feels crowded and overambitious.
#205
Adjusted Score: 55.816%
Critics Consensus: Sex and the City loses steam in the transition to the big screen, but will still thrill fans of the show.
#204
Adjusted Score: 55.947%
Critics Consensus: Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.
#203
Adjusted Score: 56.235%
Critics Consensus: Single White Female benefits from a pair of outstanding leads, neither of whom are well served by a storyline that wavers between thrillingly tense and utterly ridiculous.
#202
Adjusted Score: 57.155%
Critics Consensus: No consensus yet.
#201
Adjusted Score: 57.261%
Critics Consensus: King Kong represents a significant visual upgrade over the original, but falls short of its classic predecessor in virtually every other respect.
#200
Adjusted Score: 57.348%
Critics Consensus: Stylish yet hollow, The Hunger is a well-cast vampire thriller that mistakes erotic moments for a satisfying story.
#199
Adjusted Score: 58.912%
Critics Consensus: John Huston proves an odd choice to direct, miring Annie in a sluggish, stagebound mess of an adaptation, but the kids are cute and the songs are memorable.
#198
Adjusted Score: 59.997%
Critics Consensus: While certainly ambitious -- and every bit as visually dazzling as one might expect -- Baz Luhrmann's The Great Gatsby emphasizes visual splendor at the expense of its source material's vibrant heart.
#197
Adjusted Score: 60.262%
Critics Consensus: It's lifted by affable performances from its impeccable cast, and it's often charming -- but Morning Glory is also inconsistent and derivative.
#196
Adjusted Score: 61.665%
Critics Consensus: No consensus yet.
#195
Adjusted Score: 61.866%
Critics Consensus: Stiff performances fail to produce any tension onscreen.
#194
Adjusted Score: 62.355%
Critics Consensus: No consensus yet.
#193
Adjusted Score: 62.362%
Critics Consensus: Light and charming, Serendipity could benefit from less contrivances.
#192
Adjusted Score: 62.97%
Critics Consensus: The First Purge should satisfy fans of the franchise and filmgoers in the mood for violent vicarious thrills, even if its subtextual reach exceeds its grasp.
#191
Adjusted Score: 63.601%
Critics Consensus: Die Hard with a Vengeance benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas.
#190
Adjusted Score: 64.221%
Critics Consensus: No consensus yet.
#189
Adjusted Score: 64.452%
Critics Consensus: No consensus yet.
#188
Adjusted Score: 66.007%
Critics Consensus: Mimic finds director Guillermo del Toro struggling to inject his unique sensibilities into a studio picture - and delivering just enough genre thrills to recommend.
#187
Adjusted Score: 66.01%
Critics Consensus: Though it is ultimately somewhat undone by its own lofty ambitions, The Devil's Advocate is a mostly effective blend of supernatural thrills and character exploration.
#186
Adjusted Score: 66.62%
Critics Consensus: Martin Scorsese's technical virtuosity and Liza Minelli's magnetic presence are on full display in New York, New York, although this ambitious musical's blend of swooning style and hard-bitten realism makes for a queasy mixture.
#185
Adjusted Score: 68.885%
Critics Consensus: No consensus yet.
#184
Adjusted Score: 70.057%
Critics Consensus: Money Monster's strong cast and solidly written story ride a timely wave of socioeconomic anger that's powerful enough to overcome an occasionally muddled approach to its worthy themes.
#183
Adjusted Score: 69.175%
Critics Consensus: No consensus yet.
#182
Adjusted Score: 69.928%
Critics Consensus: Although the plot leaves a lot to be desired, 13 Going on 30 will tug at your inner teenager's heartstrings thanks in large part to a dazzling performance from Jennifer Garner.
#181
Adjusted Score: 70.455%
Critics Consensus: Death Wish is undeniably exploitation fare -- and also undeniably effective.
#180
Adjusted Score: 70.863%
Critics Consensus: With a charismatic lead, this new Shaft knows how to push the right buttons.
#179
Adjusted Score: 70.967%
Critics Consensus: Critics say Stuart Little is charming with kids and adults for its humor and visual effects.
#178
Adjusted Score: 71.212%
Critics Consensus: No consensus yet.
#177
Adjusted Score: 71.858%
Critics Consensus: Although the central romance arguably suffocates the heart of the drama, a moving performance by Nick Nolte and Barbra Streisand's deft direction give The Prince of Tides a soulful edge.
#176
Adjusted Score: 72.061%
Critics Consensus: No consensus yet.
#175
Adjusted Score: 72.912%
Critics Consensus: Q's campy charms may be lost on audiences who want their monsters frightening, but a game cast and lovingly retrograde visual effects give this kaiju romp some majesty.
#174
Adjusted Score: 72.93%
Critics Consensus: Exquisitely animated, An American Tail is a sweet, melancholy, immigrants story.
#173
Adjusted Score: 73.027%
Critics Consensus: An uneasy blend of action and comedy, Date Night doesn't quite live up to the talents of its two leads, but Steve Carell and Tina Fey still manage to shine through most of the movie's flaws.
#172
Adjusted Score: 73.346%
Critics Consensus: No consensus yet.
#171
Adjusted Score: 73.561%
Critics Consensus: No consensus yet.
#170
Adjusted Score: 74.059%
Critics Consensus: Much like its well-meaning but clueless protagonist, Adam occasionally seems to be in over its head -- but its good intentions make those fumbles easier to forgive.
#169
Adjusted Score: 74.188%
Critics Consensus: Scrooged gets by with Bill Murray and a dash of holiday spirit, although it's hampered by a markedly conflicted tone and an undercurrent of mean-spiritedness.
#168
Adjusted Score: 74.235%
Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
#167
Adjusted Score: 74.658%
Critics Consensus: No consensus yet.
#166
Adjusted Score: 74.714%
Critics Consensus: Great chemistry between the leads made this a warm and charming delight.
#165
Adjusted Score: 75.227%
Critics Consensus: King of New York covers familiar narrative ground with impressive style -- and leaves plenty of room for its talented cast to deliver gripping performances.
#164
Adjusted Score: 75.239%
Critics Consensus: Although its script is uneven, Neil Burger directs Limitless with plenty of visual panache, and Bradley Cooper makes for a charismatic star.
#163
Adjusted Score: 75.259%
Critics Consensus: Despite Hitch's predictability, Will Smith and Kevin James win praise for their solid, warmhearted performances.
#162
Adjusted Score: 75.362%
Critics Consensus: Gremlins 2 trades the spiky thrills of its predecessor for looney satire, yielding a succession of sporadically clever gags that add some flavor to a recycled plot.
#161
Adjusted Score: 75.624%
Critics Consensus: Eddie Murphy was in full control at this point, starkly evident in Coming to America's John Landis' coasting direction.
#160
Adjusted Score: 75.852%
Critics Consensus: No consensus yet.
#159
Adjusted Score: 76.216%
Critics Consensus: Police procedural meets werewolf flick in Wolfen, a creepy creature feature with a surprisingly profound side.
#158
Adjusted Score: 76.436%
Critics Consensus: No consensus yet.
#157
Adjusted Score: 76.584%
Critics Consensus: A surfeit of ideas contributes to Margaret's excessive run time, but Anna Paquin does a admirable job of guiding viewers through emotional hell.
#156
Adjusted Score: 77.195%
Critics Consensus: Abel Ferrara's 1995 horror/suspense experiment blends urban vampire adventure with philosophical analysis to create a smart, idiosyncratic, and undeniably odd take on the genre.
#155
Adjusted Score: 78.36%
Critics Consensus: A personal project that warmly reflects on director Spike Lee's childhood, Crooklyn is an episodic celebration of family and the indelible facets of one's hometown.
#154
Adjusted Score: 78.483%
Critics Consensus: In the vein of The Catcher in the Rye, Igby Goes Down is scathingly witty and sharply observant.
#153
Adjusted Score: 79.119%
Critics Consensus: No consensus yet.
#152
Adjusted Score: 79.193%
Critics Consensus: Though flawed, the sprawling, messy Gangs of New York is redeemed by impressive production design and Day-Lewis's electrifying performance.
#151
Adjusted Score: 79.776%
Critics Consensus: It's built out of familiar parts, but no matter how formulaic Premium Rush's storyline might seem, it's elevated by high-octane action and enjoyable performances.
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June 08, 2021 at 09:20PM
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The 212 Best New York City Movies, Ranked - Rotten Tomatoes
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